http://www.imdb.com/title/tt0081318/

I have this on right now.

never saw this one

One of my favorites.

see the beyond next for a good idea of why people love that wop asshole so much.

I must get to dunwich.

it appears that the dead always are lighted form the bottom and then want to crush the back of your head.

teleporting zombies or GTFO

WHAT THE FUCK WAS THE ENDING ALL ABOUT?

one of my favs too

this black metal project i did in highschool, Violent Winds sampled a line from that movie...

check out the cult lyrics which for some reason i remember perfecty 12 years later:

VIOLENT WINDS MOVE FROM THE EAST
THIS UNHOLY NIGHT
THE NIGHT COMES ALIVE
WITH THE SOUND OF AN ANCIENT BATTLE CRYYY
GODS OF WAR BESEECH MY SPIRIT
AND TAKE MY SOULD AWAY
INTO THE NIGHT
ONTO THE BATTLE FIELD

SOUL**

My favorite from the "Gates of Hell" trilogy. Everyone seems to prefer "The Beyond" over this.

One of my faves. I'm actually really bummed that I can't find my copy of it right, I must have loaned it to someone, and they never brought it back.

The Beyond is also awesome, as is The House By The Cemetary. Fulci is just godly. Check out his "fantasy gore" flick, Conquest, if you ever get bored and need a good way to kill an hour and a half.

The dead / zombies are also terribly fond of eyeball gouging. "The Beyond" is my Fulci favorite by lightyears, but "City..." totally rules. "House..." is cool, but doesn't quite do it for me the way those other two do.

The pacing is a little whack in "House", but I like it. It's different for him.

I used to prefer The Beyond, but these days, it's hard to pick which of the two is Fulci's masterpiece... They both follow a very twisted fantastique logic, but City is a bit darkly chaotic, while The Beyond represents a more methodical downward spiral. Either way, they're outstanding pieces of Euro-Horror, and both outstanding examples of a real dysphoric atmosphere, even before considering the legendary gore-work...

That said, I've seen about 30 Fulci films, and he really was a fine director in many genres, even if his '79-'82 period was perhaps his pinnacle (in large part thanks to his collaborators at the time, as he really was no auteur). Don't Torture A Duckling is really outstanding, one of the finest Gialli ever made, no doubt... And he was quite adept at action too, even if he was never known for it... His Westerns are great, his cheapy barbarian adventure (Conquest, as mentioned by EHH) and post-apocalyptic death-sportage (The New Gladiators, aptly called by his daughter Antonella "The Italian Rollerball") are thoroughly entertaining in spite of major budgetary flaws, and the only thing wrong with his one entry in the Polizieschi genre, Contraband, is the horrendous English dub.

Even The Eroticist is a good time, and I normally find Italian comedy to be fucking atrocious...

Viva Fulci!

my band pacifist breeze used to have a song about '2 evil eyes'

Woman in a Lizard's skin is awesome. But City Of The Living dead is still my favorite.

Don't Torture a Duckling for the win.. Most excellent cinematic Eurotrash experience.. Thank you, Blue Underground.

only cat in the brain is real. Oh and the new york rippah khed.

Cat in the Brain is a goodun, little fucked, little hardon inducing.