Ass Hat
Home
News
Events
Bands
Labels
Venues
Pics
MP3s
Radio Show
Reviews
Releases
Buy$tuff
Forum
  Classifieds
  News
  Localband
  Shows
  Show Pics
  Polls
  
  OT Threads
  Other News
  Movies
  VideoGames
  Videos
  TV
  Sports
  Gear
  /r/
  Food
  
  New Thread
  New Poll
Miscellaneous
Links
E-mail
Search
End Ass Hat
login

New site? Maybe some day.
Username:
SPAM Filter: re-type this (values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
Message:


UBB enabled. HTML disabled Spam Filtering enabledIcons: (click image to insert) Show All - pop

b i u  add: url  image  video(?)
: post by arktouros at 2011-03-28 11:38:14
i'm not sure what the argument is here but basically, volume dynamics. none of this "super quiet super fast" stuff. talking about throwing ghost notes, accents, pianissimo to fortissimo, into the drumming, no matter what style your playing. triggers just can't replicate this...

triggers have a niche and that's why people use them, i'd caution anyone that wants to go the trigger route, but that's me. you should be comfortable with volume dynamics on ever part of your kit before you move on to triggers, otherwise you're not learning how to play drums, you're learning how to play triggers.

triggers apply well when the music is compressed to begin with (run-off-the-mill metal) but things like compression, dampening, and EQ can be done to your physical drums before any mics or sound guys come near your kit. i would hate dealing with triggers, and i don't trust any sound guy to do a god damn thing.

anyway, random sentences about drumming. eat them.
[default homepage] [print][12:55:25pm Apr 29,2024
load time 0.02212 secs/10 queries]
[search][refresh page]