Ass Hat
Home
News
Events
Bands
Labels
Venues
Pics
MP3s
Radio Show
Reviews
Releases
Buy$tuff
Forum
  Classifieds
  News
  Localband
  Shows
  Show Pics
  Polls
  
  OT Threads
  Other News
  Movies
  VideoGames
  Videos
  TV
  Sports
  Gear
  /r/
  Food
  
  New Thread
  New Poll
Miscellaneous
Links
E-mail
Search
End Ass Hat
login

New site? Maybe some day.
Username:
SPAM Filter: re-type this (values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
Message:


UBB enabled. HTML disabled Spam Filtering enabledIcons: (click image to insert) Show All - pop

b i u  add: url  image  video(?)
: post by litacore at 2006-07-18 01:31:05
fuck yes
~~~~~
ERASERHEAD - Original Soundtrack - CD - International Record Syndicate - 1982
review by: Larissa Glasser

http://www.maelstrom.nu/ezine/vaultreview_iss42_2924.php

Every artist, particularly in the black metal scene, has the almost scientifically certain likelihood of creative doors of perception being blasted open by listening to the soundtrack to the David Lynch film "Eraserhead." Regardless of whether you’ve managed to sit through the actual movie (which is, like so many of his other films, an endurance test for the mind), this mostly ambient soundtrack captures desolation, urban decay, and rusty obsolescence better than most other media.

This soundtrack is a standalone work. Even repeated viewings of the film are wiped from memory, except during the snippets of dialogue, which are mercifully short. Factory whistles bleat in the background, hissing radiators struggle in vain to stave off the cold air, carnival music squeezes as from down a vast, copper corridor, and finally, the wailing of the torso it-baby with a voice thinner than a mosquito’s wing yet sharp enough to pierce the most seasoned eardrum.

By the second half of the soundtrack, Eraserhead has managed to suspend disbelief long enough to offer a more subdued, moaning stream of drone with much less dialogue, despair with the G-force of hurricane winds, and finally, in a VERY futile attempt to satiate his human yearnings while caring for his premature it-baby, attempted affair with the woman living across the hall (she is understandably repelled by his deformed offspring). One of the best points comes around the nine minute mark of this second half, when the it-baby unleashes an incessant wail drenched with reverb and frostwinds. Pregnancies, abide this ordeal.

Lord knows what cohesion David Lynch was attempting with "Eraserhead." Full of startling imagery, the film took over five years to make, but it put Lynch on the map. The soundtrack, taken as its own dose, is equally perplexing. Just as the listener grows zombified by incessant cityscape drone, the album cuts short like instant death. Eraserhead a is wholly unsettling listening experience.

~~~~~~
I have a smile across my butt. Must be the humidity.
[default homepage] [print][8:11:28pm Apr 27,2024
load time 0.01228 secs/10 queries]
[search][refresh page]